Born in the American Midwest and trained at Yale's School of Art, the studio practice of has spent over a decade exploring the emotional registers of color, light, and texture. Working primarily in oil and mixed media, each body of work begins not with a sketch but a question — about silence, memory, or the weight of the unsaid.
The practice is deliberately slow. Major collections take twelve to eighteen months to complete, often developed during extended residencies — most notably in Reykjavik, Iceland, where the particular quality of northern light has become a recurring material in the work itself.
Works are held in private collections across 28 countries and have been exhibited at Art Basel Miami Beach, the Whitney Museum, and the Saatchi Gallery, London.
To make work that holds something back — trusting the viewer to bring their own weight to the canvas.
To build a body of work that is remembered not for technical display, but for emotional precision.
